Urwerk King Cobra CC1 Reintrepretation of 1958 Patek Philippe Cobra Prototype - Cylindrical Retrograde Linear Jumping Hour Display

I started this blog nearly three years ago and the watch that started it all was the very obscure 1958 Patek Philippe Cobra -- A timepiece so advanced for its time, only one prototype was ever produced.

It has taken over half a century for someone to take it seriously and attempt a reinterpretation -- Urwerk, the coolest independent brand in the world has just introduced the "King Cobra UR CC1", an unexpected follow-up to their revolutionary Tarantula and Hammerhead series and a serious nod to the masterpiece originally created by Louis Cottier.


Geneva – September 2009

Time is usually - nearly always - displayed by a circular indication: one dial and two (or three) with the time displayed around a perpetual circle. However, this 360° representation of time goes against everything we learnt as we grew up drawing a straight line on a blank page and marking it Past, Present and Future. Why do we think of time as travelling in a straight line yet display it rotating around a circle? The answer is straightforward: mechanisms that continually rotate are much simpler to produce than those that trace a straight line then return to zero. In fact, the latter is so difficult that, until now, nobody has ever managed to develop a production wristwatch with true retrograde linear displays.

Linear. On the UR-CC1, there are two horizontal indications displayed by two retrograde cylinders: one for the (jumping) hours, the other for the minutes. And don't be lulled by the apparent simplicity of the displays; the UR-CC1 is the result of more than three years of research, development, production and testing to ensure that the rotation and instant fly-back of the large hour and minute cylinders was achieved without compromising accurate timekeeping.


Triple-cam. A vertical triple-cam operating a rack (visible through a window in the side of the case) rotates the minute cylinder. From zero to 60 minutes, the minute cylinder rotates through 300°. On arriving at the 60-minute mark the cylinder instantly (1/10th of a second) reverses back to its original position thanks to an extra-flat linear spring. The retrograde movement of the minute cylinder triggers the hour cylinder to advance (jump) one complete hour.

The triple-cam is crafted from bronze beryllium, a metal selected for its inherently self-lubricating properties and low co-efficient of friction, and takes the form of three small inclines. The precise shape of the curve of the incline is relayed to the pivoting rack, while the teeth on the end of the rack mesh with and rotate the minute cylinder. The triple-cam makes a complete rotation in three hours so that each of the three inclines takes 60 minutes, and 180 points of reference have been calculated on each of the three cams to ensure the precise and isochronic rotation of the minute cylinder.

Rack: The toothed segment at the end of the rack transmits and transforms the rotation triple-cam into the rotation of the minute cylinder. The toothed rack presents two properties that at first appear contradictory: absolute rigidity, so as to accurately transmit the motion of the cam to the minute cylinder; and extremely low mass to consume as little energy as possible and minimise the effects of gravity and accelerations/shocks. This vital component has been fabricated in nickel by Mimotec using their photolithography process. The honeycomb pattern of the nickel structure resolves the two apparently contradictory requirements of maximum strength and minimum weight.

Seconds disk: The dial of the UR-CC1 is animated by a rotating disk displaying the seconds both digitally and linearly – a world first! This incredible exploit was achieved thanks to Mimotec’s photolithography production technique, which enabled the component to be fabricated from ultra-light nickel; the procedure is even more precise than electro-erosion. To reduce mass to an absolute minimum, the minuscule numerals were even skeletonised. A small tab at 10 seconds bearing the URWERK logo precisely counterbalances the disk's single-digit numbers. This marvel of micro-precision weighs only 0.09 grams.

Rotor Fly Brake: UR-CC1 features URWERK’s pneumatic shock-absorbing Rotor Fly Brake automatic winding system, which minimizes rotor and mechanism wear and damage from shock and harsh movements. The operation of the Rotor Fly Brake is visible through a window on the side of the case.



Technical Specifications:

Model: UR-CC1

Case: available in either grey gold with titanium case back (limited edition of 25 pieces) or black gold with titanium case back (limited edition of 25 pieces); brushed-satin finish

Movement: calibre UR-CC1; automatic winding regulated by “fly brake turbine” pneumatic shock absorber

Indications: linear display for hours and minutes with jumping hours and retrograde minutes ; second display both digital and linear

Dimensions: 45.7mm x 43.5mm x 15mm

Dial and Bridges: ARCAP P40. SuperLumiNova treatment on hours, minutes displays

Genesis of a creation

1958. Messrs Gilbert Albert and Louis Cottier combine their talents to create a watch destined to revolutionize the horological world. Their idea is completely outrageous: it is the world’s first watch to feature a linear display. It is an extraordinary, avant-garde piece that fulfils none of the aesthetic criteria of the time. As for its linear indication, the idea may seem simple but the execution is a technical headache of monumental proportions. However Messrs Albert and Cottier believe in it and they stick with it, creating a prototype for Patek Philippe.

1959. A patent is deposited by Louis Cottier, detailing the technical scale of the achievement. Then – nothing. The prototype is put on to one side. Does the watch even work? Today nobody knows for sure. It took its place in the corner of the Patek Philippe museum and proceeded to arouse curiosity from time to time.

1998. With pencil and paper Martin Frei, co-founder of the URWERK brand and an aesthete at heart, sketches the first outline of his future creation: a watch in which the hours and minutes are indicated by two straight, parallel lines. But he hesitates. With Felix Baumgartner, master watch-maker and co-founder of URWERK, another idea springs to mind – the concept of the hour satellite, presented for the first time at Basel. The earlier project is postponed, sine die.

2006. URWERK is henceforth known and recognized for its mechanical hour satellite watches in which orbiting hour satellites indicate the minutes. But the idea of developing a different way of telling the time continues to fascinate Felix Baumgartner. In the end it is the Alfred Hitchcock film “The Birds” that gives him the decisive nudge in the right direction. In one of the most famous scenes from the film, the heroine seeks refuge in an old Dodge. The image lasts only a few seconds but it is crucial – a close-up of the dashboard and its linear speedometer. Yes. That’s it! A continuous line with which to mark time. Felix and Martin work non-stop on this new project. Their research leads them to the discovery of Gilbert Albert and Louis Cottier’s watch. It will be their “muse”.

2009. Three years of research. One year of testing. URWERK’s “King Cobra” is unveiled. ‘CC’ for Cottier Cobra, a homage to the genius of Louis Cottier, inventor and creator. Once more, URWERK redefines our vision of fine watchmaking and pushes back the frontiers of the possible.

The original 1958 Cobra

Original Prototype Movement

Watchmaker Felix Baumgartner

I am not big on nostalgia, but I have always loved the linear speedometers found on old cars. My older brother had a 1960’s Volvo and it was that which gave us the first idea for a horological linear indication. I recently watched the film ‘The Birds’ by Alfred Hitchcock, and in it the heroine took refuge in an old Dodge with a linear speedometer- it is one of my favourite scenes. There are very few wristwatches with linear indications. One of them, if not the first, was ‘The Cobra’, which was developed in the late 1950s by Mr. Louis Cottier. It is sensational! Although it was created over half a century ago, it is still very contemporary. Unfortunately, it only exists as a single prototype and was never put into production. Now, 50 years after he filed his patent (1959), URWERK pays homage to the work of Louis Cottier by creating its own interpretation of the Cobra. -Felix Baumgartner

Designer Martin Frei

I am interested in the perception of time. Physicists tell us that time can be warped or stretched, and our daily experiences are with the circular cycles of the days, seasons and years. But I am also intrigued that time can be ordered, even straitjacketed, to flow in a linear direction - a straight line from the past, through the present, to the future. And, because this can represent an individual’s lifeline, I feel that this linear format can be a very human way to look at time. That plus the fact that I think it looks really cool! -Martin Frei

Additional presentation party photos by Ian Skellern of Horomundi

Urwerk Website Link

Related Posts;
Urwerk Tarantula
Urwerk Hammerhead
Urwerk TiAIN 103.08
Interview with Martin Frei
Urwerk Time Bandit
Urwerk Visit

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Real Life Photos of the Concord C1 Quantum Gravity Tourbillon

Finally, no more slick CAD teasers, the real deal, Concord's C1 Quantum Gravity live in Basel.

Thanks to Watchluxus

Video Link of the new tourbillon bi-axial from BNB Concept for the Concord C1 Quantum Gravity timepiece is placed and alive.

The original CAD renderings

Read more-->LINK

For More information;

Link: The Making of the C1 Concord Quantum Tourbillon

Link: C1 Concord Main Site

Related Posts;
All Concord Stories
Independent Watch Brands
Alternative Displays


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Christophe Claret Introduces his DualTow Display Belt Single Pusher Planetary Chronograph with Striking Mechanism

Christophe Claret's Dual Tow watch introduced today at Baselworld

Two conveyor belts rotate displaying the time. (there seems to be a theme this year!)

From the press release (via Horomundi):

2009 is a jubilee year in the history of Christophe Claret SA, a milestone that its owner wished to symbolize by releasing an exclusive timepiece produced under the company brand name and distributed by the finest retailers worldwide.

The DualTow is a faithful reflection of the watchmaking philosophy inherent to Christophe Claret. Housing several inventions including one patented innovation, this single-pusher planetary-gear chronograph with striking mechanism and tourbillon expresses a combination of technical excellence and sophisticated aesthetics.

It also embodies the merging of the wide variety of skills united within the company, since almost all operations involved in making it – from movement development to the machining of the sapphire dial-bridge – have been performed in-house.

Representing a horological embodiment of power and energy, the DualTow is an ultra-refined machine for measuring time. With its original “belt” display of the hours and minutes, the model features an ultra-technical and classically elegant appearance.

Technically speaking, the mechanical hand-wound CC20A movement boasts an impressive number of innovations and stylistic refinement.

One particularly striking example is a gong that sounds each time the chronograph pusher is activated, in a playful allusion to the expertise of the Manufacture in the field of striking watches.

DUALTOW Specs:

SINGLE-PUSHER PLANETARY-GEAR CHRONOGRAPH WITH STRIKING MECHANISM MOVEMENT:

Number of parts: 582

Number of jewels: 73

Power Reserve: Over 50 hours

Barrels: Twin barrels placed in parallel

Tourbillon: - Swiss lever escapement
- Balance oscillation frequency: 3 Hz (21,600 vph)
- Tourbillon rotation frequency : 1 revolution/minute

Functions: - Hour and minute display on belts
- Single-pusher planetary-gear chronograph
- Mechanical striking mechanism sounding each change of function (start, stop and reset)
- 12-hour, 60-minute and 60-second chronograph counters
- Operating mode indicator
- Mechanical hand-wound movement
- Power-Reserve display

EXTERIOR:

Case: - Watch glasses specially designed and manufactured to ensure an ergonomic fit
- Rectangular, curving; fitted with exclusive mobile lugs enabling a perfect fit on the wrist
- Dimensions : 42.75 x 48.20 mm (not counting the lugs)
- Water Resistant: 3 ATM or 30 meters

Display belts: In rubber with transferred hour and minute numerals

Flange: Flange with chronograph seconds markers cut from five different stones

Dynamometric crown and pusher: Rubber-molded

Dial: Sapphire crystal serving as a bridge for the chronograph counters and featuring transferred chronograph hour and minute counters, chronograph operating mode, Christophe Claret brand name and ‘Swiss Made’ indication

Buckle: Triple-blade folding clasp with decorative covers and an innovative system enabling comfort-enhancing 10 mm wrist extension

Series: Limited edition of 68 timepieces; each unique

Christophe Claret website

Related Posts;
All Christophe Claret Stories
Watches with Alternative Displays
Opus 9 Diamond Chain Display
Baselworld Releases
Watches over $100,000


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UNVEILED - Concord C1 Quantum Gravity Aerial Bi-Axial Tourbillon with Liquid Vertical Power Reserve

New Concord C1 Quantum Gravity Bi-Axial Tourbillon

A liquid featuring green phosphorescent nanoparticles
fills a tube to assist in the reading of the power reserve

An aerial bi-axial tourbillon, vertical power reserve.

Designed and developed by C Lab Series, a special unit specialising in extreme watchmaking, the C1 QuantumGravity follows from last year's C1 Tourbillon Gravity.

Devised in Fall 2008, the C1 QuantumGravity was born after a 5-month incubation period; BNB Concept created the movement, while Studio Bellon finalized the design.

C1 Movement by BNB Concept

An aerial bi-axial tourbillon mechanism. A vertical power reserve. Individualist seconds. A stripped-down dial and spectacular volumes: the latest specimen from the C Lab Series defies all theories. Even better, it creates its own rules: emptiness is its core material, engineering its constancy; chemistry a dare and transparency a must.

Designed and developed by the C Lab Series, the C1 QuantumGravity symbolizes unrestricted and unconstrained time, where only impulse and intuition prevail. A special unit dedicated to extreme watchmaking, the C Lab Series has a mission: to push the boundaries of mechanical watch making by introducing it to new modes of expression. Last year, the C1 Tourbillon Gravity timepiece inaugurated a new watchmaking era, where time liberates itself without reserve.

In 2009, the C Lab Series is expanding this watchmaking metamorphosis to embrace new horizons. Initially devised in the fall of 2008, the C1 QuantumGravity was born after a 5-month incubation period, nurtured by the will and tireless energy of a team that works on instinct alone. BNB Concept was entrusted with the creation of the movement, while Studio Bellon finalized the design.

The result: a new species of watch that lives time as if it were an experiment and space, a source of stimulation. The creation of the C1 QuantumGravity constitutes a provocative act in itself, while its construction is an exploration carried out at the brink of excess and defiance.

A perpendicular power reserve

First equation: Power reserve = verticality + fluidity

A cylindrical piston. A vertical back-and-forth movement. Liquid. These were the three essential elements combined by the C Lab Series to create this astounding equation involving mechanics and chemistry.

Traditional design and display codes have been demolished to make way for a mobile glass column, located between 12 and 1 o’clock, which serves as the power reserve with a vertical indicator. On the chemistry side of things, a liquid featuring green phosphorescent nanoparticles fills a tube to assist in the reading. Meanwhile, on the mechanical side, this energy gauge operates perpendicularly to the caliber, rising up and down from its base to signal the remaining energy of the movement in relation to its available three-day power reserve. Its graduated outline corresponds to level indicators, which are secured to the inner surface of the watch.

A stayed bi-axial tourbillon

Second equation: Tourbillon = suspension + axes2

Cables. A bi-axial movement. A lateral position. This collection of challenges had to be taken on to erect a spectacular tourbillon carriage.

Exported to the timepiece’s Western border and literally suspended, it rotates in a multi-dimensional manner on two axes – the main one being vertical. Its baffling structure has adopted the rigid and light elevation of cable-stayed bridges: one arm, extended from cables measuring just 2/10th of a mm-wide and fastened to the plate, maintains the carriage vertically and thus reinforces the impression of an independent arrangement. The suspension mechanism is supported by an elastomeric self-tensing system, which enables the cable/arm hinge to be precisely adjusted and the dilatation effects, compensated.

Levitating mechanics

Third equation: Time = space

48.5 mm in diameter and 22 mm in depth: the appearance of a Titan, whose proportions reach a staggering 57.5 mm in breadth. Yet, the C1 QuantumGravity remains easily wearable thanks to its lugless design which ensures a perfect fit on the wrist. The use of Titanium for the case and Aluminum for the majority of movement components bestows a lightness on this timepiece that is as astounding as its size.

The build of this watch composed of 511 parts is also offset by an anatomy that privileges space and transparency: the case, whose machining required 400 hours of fine adjustment, can be reduced to a structure that is literally enveloped by 5 sapphire crystals. The mechanism is visible from all angles.

Although the case and movement share a genetic bond as they were made for each other, they are flanked by other elements that seem to operate self-sufficiently: to the West, a glass excrescence house the tourbillon carriage while to the East, two symmetrical casings house the winding mechanism and the seconds, at 2 o’clock and 4 o’clock respectively.

Concealed entirely, the imposing time-setting key can be ejected from its armor by simply pressing on the push button. As for the seconds, they evade the dial to nestle on the side of the case. They are engraved in luminescent orange against a black aluminum roll and can be seen through a window whose cut echoes the push button of the crown. A lateral sapphire crystal reveals the rotating orange blades of the seconds wheel.

The dial has also been contaminated by this urge for maximum openness. Although it strives to display the flight of hours and minutes, its focus is on empty spaces. The depth of its field of vision is dizzying, the feeling of levitation exhilarating. Deconstruction, a concept so dear to Concord, has been magnified: the C1 QuantumGravity apprehends time as a perspective, using emptiness as a material on which time features are grafted.

Under the impressive sapphire crystal, the panorama, amplified to its utmost, outlines time that has almost been dematerialized. And despite the exuding madness, legibility has remained at the core of its construction. Just like a suspended glass saucer, the off-centered hour-circle between 3 and 4 o’clock dresses a part of the cavity at the bottom of which the movement is supported. A spider-like structure acts as a scaffold under the transparent disc punctuated by the luminescent orange markers. The 6.5 mm high hand-fitting is a technical prowess in itself and adds to the feeling of dizziness.

Wedged at the bottom of the abyss, the mechanical manually wound movement choreographs time with precision. An officer-style case-back which appears as an air-lock at every opportunity reveals the geometric circuit, the right-angled skeletonized bridges, the gear-trains that transmit energy to the tourbillon carriage and the cable adjustment. The finishing touches highlight an industrial design that is both methodical and futuristic: a black aluminum plate against anthracite aluminum bridges, rubies against polished steel screws… They embody the spirit of a watch made with high-tech materials, glass, emptiness and colored luminescent materials.

The C1 QuantumGravity defends time that is inexorably linked to space. Prophetic, its construction created in record time propels Concord into a parallel world where intuition is a favored ally and its design and mechanics a harbinger for the future of watchmaking. An addiction to breaking established codes and extrapolating underlies Concord’s creative mettle. C1 QuantumGravity is its ultimate creation.

Go to www.c1-quantum.ch to find out about how this exceptional timepiece, in a limited edition of 10, was created.

Technical Features:

Movement
Mechanical manually wound movement
Caliber Concord C104
21,600 vibrations per hour
3-day power reserve
42 Jewels

Functions
Hours, minutes
Roll of seconds external to the case
Vertical power-reserve indicator
Bi-axial tourbillon

Case
Titanium case with white gold elements
Dimensions: 48.5 mm in diameter – 22 mm in depth
5 sapphire crystals
See through officer-style hinged case back

Dial
Aerial skeletonized dial

Strap
Black vulcanized rubber fixed to the case with 4 screws

For More information;

Link: The Making of the C1 Concord Quantum Tourbillon

Link: C1 Concord Main Site


Related Posts;
Independent Watch Brands
Alternative Displays


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Urwerk Tarantula Crawls Onto Your Wrist and Sticks its Fangs Into Your Veins

The Urwerk Tarantula, a brand new design from the Lennon and McCartney of the watch world - actually.. correction, the Jagger and Richards since Time is on Their Side. Watchmaker Felix Baumgartner and designer Martin Frei are appropriately at the Let It Bleed of their career.



The ‘T’ in the 103T is at first a mystery, but only until the first look down through the massive sapphire crystal into the mechanism below. There you will sense a shape before you see it. A form slowly emerges from the orbital cross and stretches its mesmerising legs: ‘T’ for Tarantula. URWERK’s latest addition to the UR103 collection has a few genetic codes borrowed from one of the most famous members of the world of arachnids.

In the UR103T, the titanium cross has been replaced by a completely redesigned structure in ARCAP, a very stable copper/nickel alloy. The dark ARCAP wraps around the hour satellites in a protective embrace. This new configuration ensures that the numbers on the hour satellites can only be seen when they are required to tell the time while passing the arc of the minutes. The actual mechanism for rotating the satellites has been completely modified on the UR103T. With this model the satellites rotate simultaneously behind the scenes in multiple stages, in preparation for their turn to indicate the time. They actually perform a four-beat 480° pirouette. Each satellite turns four 120° turns in the period between leaving the minute arc and arriving again with a new numeral displaying. The orbital satellite complication is over 300 times heavier than traditional hands, a factor that requires absolute precision in the manufacture of its minuscule components, and in assembling, balancing and regulating the complication to obtain an excellent chronometric performance.

The Time Spider

Urwerk Tarantula's fangs reach deep into your wrist

You can almost see the blood dripping from the wound

An early Urwerk with covered case, cool as %$#@!

The Maestro Baumgartner

URWERK website-->LINK

All Urwerk Posts at The Watchismo Times-->LINK

Wristshots via Horomundi


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First Look at the HM3 - Horological Machine No 3 Starcruiser & Sidewinder!

I was lucky enough to be one of the first people in the world to see the latest from Maximilian Büsser & Friends this morning. Max and Stephen Hallock of MB&F met me for breakfast at NYC's Brasserie to unveil the coolest Horological Machines yet. I hate to use one word to describe the HM3 Sidewinder and Starcruiser, but here it is... WOW.

Summed up, this watch has two variations. The red gold Starcruiser (above) and white gold Sidewinder (below) with two sapphire cones rising up from the case to reveal hours and day/night indicator and the other cone for minutes - transmitted via ceramic ball bearings to laser-cut hands and visible as a drivers style watch, on the side. Each watch shown here displays 10:45 am.

But what really sets it apart is the fact the movement with automatic rotor is upside down! No more turning your watch over to show off its most essential element. The signature Grendizer battle axe rotor swings wildly under each dome adding to the many layers of the most dimensionally effective Horological Machine to date.

The date wheel surrounds the movement through each dome and indicated by an arrow cut into the case.

Two styles are available in both red gold and white gold. The Starcruiser has both cones on the inside of your wrist and the Sidewinder with cones vertically next to your hand. Both are read easily without turning your wrist. Great when you're driving so fast you can't take your eyes off the road...or sky.

HM3 Starcrusier & Sidewinder

MB&F Website-->LINK

See Also;
All Max Busser & MB&F Posts-->Link
Press release;

Horological Machine No3

Warning! Horological Machine No3 (HM3) is so far outside existing timekeeping references that it may cause sensory overload. The mind first attempts to take in the kinetically active movement, paradoxically seen in all its glory on the top of the watch and partially circumscribed by a ring of large numerals. However before that information can be processed it is assailed yet again, this time by twin cones rising majestically from the sculptured three-dimensional case. No wonder many struggle to reconcile the reality that this dynamic sculpture is actually a highly technical wristwatch that tells the time and date.


Welcome to the world of MB&F!
Individualists demand choice, so HM3 is available in two versions: ‘Sidewinder’, with cones lined perpendicular to the arm and ‘Starcruiser’, with cones in line with the arm. Each version has its own very distinct visual characteristics and each offers its own angle on telling the time.

The twin cones respectively indicate hours and minutes, with the hour cone capped by a day/night indicator. An over-sized date wheel allows for large, legible numbers with the date indicated by a neatly engraved triangle on its perimeter.
However, it is the spectacular open-air theatre presented by the finely finished movement, with its swinging battle-axe shaped automatic rotor and fast oscillating balance wheel, which mesmerises the eye and astounds the senses.
Turning the watch over reveals the technical secret behind HM3’s inverted movement: two large high-tech ceramic bearings efficiently transmitting power up to the cones and date wheel.

About MB&F

After decades learning and conforming to the corporate rules of watchmaking, Maximilian Büsser broke the chains and started a rebellion - a rebellion called MB&F. MB&F is an artistic and micro-engineering concept laboratory in which collectives of independent horological professionals are assembled each year to design and craft radical Horological Machines.
The ramifications of these audacious projects are profound. Respecting tradition but not shackled by it, MB&F fuses traditional high-quality watchmaking with cutting-edge technology to create three-dimensional kinetic sculptures.

Horological Machine No3 is the third chapter in the story of MB&F’s horological revolution; it is a story of adventure, of excitement and of passion.

“The Earth is a cradle of the mind, but we cannot live forever in a cradle.”
-Konstantin E. Tsiolkovsky, Father of Russian Astronautics, 1896.

Inspiration and Realization: Horological Machine No3 was developed to display the machine’s beautifully finished movement in operation. Harmoniously crafted bridges, rapidly oscillating balance wheel, gearing and distinctive battle-axe shaped automatic winding rotor are all open to view. This allows the wearer to fully appreciate the art and craft that makes up HM3 and draws the viewer’s gaze inside the highly complex machine; a machine comprising more than 300 fine-finished, high-precision components.

The movement of HM3 has been literally turned upside down to allow for an uninterrupted panorama of the solid gold winding rotor’s graceful arcs and the high-speed oscillations of the balance wheel. Jean-Marc Wiederrecht, winner of the inaugural award for Best Watchmaker at the 2007 Grand Prix d’Horlogerie de Genève, was entrusted with turning the drawings and designs of Max Büsser and designer Eric Giroud into horological reality and, with his team at Agenhor, he not only met but surpassed the challenge.

White gold Starcruiser

Starcruiser and Sidewinder: MB&F’s Horological Machines are for individualists who demand art, craft, excellence, exclusivity . . . and choice. To cater to these demanding aficionados, Horological Machine No3 is available in two versions: ‘Sidewinder’, with its cones lined perpendicular to the arm and ‘Starcruiser’, with its cones in line with the arm. Just like their potential owners, each is very special, each is very different.

Red Gold Sidewinder

Indications: The three-dimensional time-indicating cones allow for telling the time at a glance, whether driving or typing; however, the fact that nothing like them had ever been attempted before in horology posed considerable challenges. The top caps of the truncated cones are brazed (not glued) to ensure maximum water-resistance and the red ‘hands’ of the hour and minute indicators had to be cut by laser to obtain the incredibly high precision with minimum mass that the design necessitated.

The over-sized date wheel is actually a larger diameter than the movement, a fact that allows for very legible and well spaced 2.5mm high numbers. A neat triangle engraved into the top of the case marks the date.

Exposed automatic rotor, domes and hands

Mystery Rotor: the prominence of the 22K solid gold battle-axe shaped rotor on the dial of HM3 is certain to increase the recognition of this already iconic MB&F symbol. The rotor is a ‘mystery’ because it appears to defy the laws of physics in being symmetrically balanced instead of having a visibly off-centred mass. This is achieved by machining the underside of one arm to a razor-thin edge so reducing its mass.

“The knack of flying is learning how to throw yourself at the ground and miss.”
-Hitchhikers Guide to the Galaxy

Horological Machine No3
Technical Innovations:

Ceramic Bearings: Time indications are usually located on the top, or dial side, of a movement. As the movement of HM3 is inverted to display its operation, an efficient solution was needed to bring power from the bottom of the movement to the timekeeping cones and date wheel at the top. Standard pinions set in jewels would have required complex, friction-generating gearing, and would require support top and bottom – a factor which would increase the height of the movement, and thus the watch. So instead of standard jewelled pinions, HM3 features two large-diameter (15mm) high-tech ceramic bearings. These minimize the number of gear-wheels (and thus friction) because of their large diameter and, as they only require support at one end (the base) due to the rigidity resulting from their ultra-high precision design and manufacture, they allow for a thinner movement.

Large Date: The over-sized date ring has a diameter larger than the movement. While the design allows for large (2.5mm high) easy-to-read numbers, the considerable distance between each number, while aiding legibility, required great ingenuity in enabling the date to be adjusted. Technical constraints in using the crown to operate the date meant that a pusher was called for; however, a pusher has an approximate travel of only 1mm – far short of the 4mm needed to move the date wheel from one day to the next. An ingenious system of amplifying the pusher’s travel was developed using efficient gearing to multiply by four the distance travelled by the pusher.

2:35

Sapphire cones: Three-dimensional cones have never been used to display time before, and no wonder as their manufacture was said to be impossible. Fortunately the impossible just took a little longer. The difficulty lay not in actually fabricating the cones, but in polishing the interior of their (originally) translucent surface until transparent. The caps of the truncated cones are brazed (a high temperature soldering technique) to their gold rims, a technique which is aesthetically pleasing and ensures a solid and waterproof construction.

Screw heads: Perfection lies in the details, form follows function. Those two statements explain both the reason MB&F has gone to the effort of redesigning the slots of the case screws and their unusual cloverleaf shape. Sharp-edge shaped screw slots require sharp-edge shaped screwdrivers, a tool tailor-made for scratching polished gold screws. The rounded cloverleaf pattern in the head of HM3 screws is not only pleasing to the eye, it reduces the chances of damage to the screw. Horological Machines are micro-mechanical works of art and demand that each and every component both looks superb and functions impeccably.

Case and finish: Though totally original in design, the double indications, idiosyncratic play of matt and polished finished surfaces, iconic mystery rotor and slope-sided case ensure that HM3 is unmistakeably, 100 per cent pure Horological Machine.

"Traveling through hyper-space ain't like dustin' crops, boy."
Han Solo in Star Wars


Horological Machine No3 – Technical Specifications

Movement:

Three-dimensional horological engine designed by Jean-Marc Wiederrecht/Agenhor;
Girard-Perregaux oscillator and gear
Balance oscillating at 28,800 bph.
22k rose gold battle-axe shaped ‘mystery’ automatic winding rotor
Hour and minutes information transmitted via ceramic ball bearings to laser-cut hands.

Number of jewels: 36 (all functional)
Number of components: 304

Functions:

Hour and day/night indicator on one cone
Minutes on second cone
Date around the movement

Case:

2 versions: Starcruiser (cones in line with arm)
Sidewinder (cones perpendicular to arm)

Both versions available in 18k white gold/ titanium or 18k red gold/titanium.
Screwed-down crown
Dimensions (exclusive of crown and lugs): 47mm x 50mm x 16mm
Number of case components: 53 - Starcruiser , 57 - Sidewinder

Sapphire crystals:

Cones and both display backs with anti-reflective treatment on both faces.

Strap & Buckle:

Black hand-stitched alligator with 18k gold and titanium custom designed deployment buckle.

MB&F Team

'Friends' responsible for Horological Machine No3

Concept: Maximilian Büsser/MB&F

Product Design: Eric Giroud – Eric Giroud Design Studio

Technical and Production Management: Serge Kriknoff/MB&F

Movement Development: Jean-Marc Wiederrecht/Agenhor, Nicolas Stalder/Agenhor

Movement manufacturing: Georges Auer/Mecawatch, Salvatore Ferrarotto/APR Quality

Ceramic ball bearings: Patrice Parietti/MPS

Movement assemblage: Didier Dumas/MB&F, Gilles Dalloz/Agenhor

Case and buckle construction and production: Philippe Marti, Dominique Mainier and Stéphane Lhomme of G.F.Châtelain

Sapphire cones: Sébastien Sangsue and Grégory Esseric/Sebal, Peter Bloesch/Bloesch

Dials: François Bernhard and Denis Parel of Nateber

Hands: Pierre Chillier, Isabelle Chillier and Félix Celetta of Fiedler

Strap: Olivier Purnot/Camille Fournet

Presentation case: Frédéric Legendre/Lekoni, Isabelle Vaudaux/Vaudaux

Communication:

Graphic Design - Alban Thomas and Gérald Moulière of GVA Studio
Product Photography - Maarten van der Ende
Display Architecture - Frédéric Legendre/Lekoni
Portrait Photography - Régis Golay/Federal
Webmasters - Stéphane Balet and Guillaume Schmitz of Sumo Interactive
Texts - Ian Skellern
Project Manager - Estelle Tonelli/MB&F

MB&F - The Genesis of a Concept Laboratory

The projects that gave Maximilian Büsser the most pleasure and personal satisfaction during his seven year tenure as head of Harry Winston Timepieces, were those working with talented independent watchmakers on the exciting Opus series watches. An idea for his own personal utopia emerged; that of creating a company dedicated solely to designing and crafting small series of radical concept watches in collaboration with talented professionals he both respected and enjoyed working with. The entrepreneur in Büsser brought the idea to reality.

MB&F is not a watch brand, it is an artistic and micro-engineering concept laboratory in which collectives of independent horological professionals are assembled each year to design and craft radical Horological Machines. Respecting tradition without being shackled by it enables MB&F to act as a catalyst in fusing traditional high-quality watchmaking with cutting-edge technology and avant-garde three-dimensional sculpture.

MB&F is independent people creating for independent people.

Biography– Maximilian Büsser

Maximilian Büsser was born in Milan, Italy, before moving at an early age to Lausanne, Switzerland where he spent his youth. Growing up in a multi-cultural environment and family - his father was a Swiss diplomat who met his mother, an Indian national, in Bombay - led Büsser to develop a cross-cultural broad-based approach to his life and to business.

In July 2005, at the age of 38, Maximilian created the world’s first horological Concept Brand: MB&F (Maximilian Büsser & Friends) in which he is now partnered with Serge Kriknoff. Büsser's dream with MB&F is to have his own brand dedicated to developing radical horological concepts by working in small hyper-creative groups composed of people he enjoys working with. MB&F presented its first timepiece, Horological Machine No. 1 (HM1), in 2006and followed that up with HM2 in 2007 and HM3 in 2008, and Büsser has more radical machines in the development pipeline.

Entrepreneurship is Maximilian Büsser's forte. In 1998 and only 31 years old, he was appointed managing director of Harry Winston Rare Timepieces in Geneva. During his seven years there Büsser developed the company into a fully-fledged and well respected haute horlogerie brand by developing the strategy, products, marketing and worldwide distribution, whilst integrating design, R&D and manufacturing in house. The results were a 900% increase in turnover and the positioning of Harry Winston as one of the leaders in this very competitive segment.

Prior to Harry Winston, Maximilian Büsser's love for high-end horology was strongly imprinted by his first employer, Jaeger-LeCoultre. During his seven years in the senior management team during the 1990s, JLC strongly increased its profile and multiplied its turnover by a factor of ten. Büsser's responsibilities at Jaeger-LeCoultre ranged from Product Management & Development to Sales & Marketing for Europe.

Maximilian graduated in 1991 with a Masters in Micro technology Engineering from the Swiss Federal Institute of Technology, Lausanne.


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See Also;
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